The day is Saturday April 17th, 2010. The place is the conference center at the Horry Georgetown Technical College’s Grand Strand campus (one block from Market Commons), 950 Meyers Avenue in Myrtle Beach SC. The mission is fellowship, knowledge, interaction and fun. We shall succeed, and we shall do it together.

Tags: createsouth, createsouth2010

The Sansa Clip+ was a good news/bad news story for my podcast workflow. The good news is that it has a PODCAST directory built in and files that go in there are treated differently than music files. It maintains your place in the file and you can return to the same spot, even after listening to other files or even leaving podcasts and listening to some music. The bad news is that the directory structure under PODCAST does not honor m3u playlists. That had been my method of listening to shows in the order I wanted to hear them. My syncing script generates a chronological playlist as the last step, but the Sansa Clip+ won’t recognize it. It does recognize the playlist if I put all these files in the MUSIC directory but then it wouldn’t restart and do the other stuff.

I stewed on that for a few days until I realized that the “Play all files” plays them in alphabetical order by filename. I added into my syncing program a little counter that it prepends to the filename and voila! When I play all files in the podcast directory, they play in that order once again. It is a stupidly simple method of achieving that goal but I’m not too proud to take it when it works.

Tags: podcasting, sansaclip

My answer: Walk in to any Barnes and Noble, Borders, indie book store. Pick the section that most interests you and start picking up books at random. From reading the first page and cover, how many of these would you actually be willing to pay for? I’ll bet you money that number is lower in reality than you’d guess it would be. Let’s be honest, a large number of books put out by big publishing aren’t of interest to you or me. It’s just the nature of a big selection, some will hit and most won’t.

So, given that reality – how do you find what you want to read today? In a future where most works are self-published, you’d do approximately that.

Update to an Addendum: Here is Michael Stackpole’s musings on self-publishing. Rock on, brother.

First, let me inventory the raw materials that got me thinking this way. Recently JC Hutchins posted that he had been dropped as an author by St. Martins Press and that they would not be publishing the 7th Son sequels. The post lives between a gut-check and a crisis of faith from one of the pioneering new media creator/ novelist hybrid guys. He also posted about monetary realities of writers pubishing via ebooks. Not that long before this, I had listened to JC’s Hey Everybody interview with Pablo Defendini and Ami Greko from The New Sleekness blog. It’s a really interesting discussion about the future of book publishing by industry professionals young enough in their careers to be less invested in the status quo and more willing to help a new future emerge. (Side note 1: I met Pablo and Ami at last year’s Dragon*Con in the classic SF con fashion – I wanted to meet them, saw them in a hotel bar, asked if I could sit with them, introduced myself and hung out for an hour. Try it, it works! ) Much in my thinking was informed over the last month by the Amazon/Macmillan ebook pricing wars of far too large a trail to link to anything. In that debate I did first run across Joe Konrath, his fiction and some of his posts with amazingly open and detailed statistics of what he sells and what he makes from digital publishing. (Side note 2: I bought, read and enjoyed his book Whiskey Sour as fallout from the debate).

There are many other bits of thought in the mix, such as my feelings about beginning my own novel during NaNoWriMo and thinking about hiring my friends at Sterling Editing to work on it and what I might choose to do with such a book when)it is finished. That’s enough of a prelude, though. Time to hit it.

JC Hutchins struck a nerve when he basically waved the white flag on his current way of working.

Creating podcast fiction does does not generate direct revenue for me. Based on anecdotal and statistical data, very few people are willing to pay for general podcast content, much less podcast fiction. Since my goal is to make a living wage with my words, the current monetization models — including in-show advertisements — will not deliver this. Dedicating time and effort to my non-fiction podcast projects will deliver equally underwhelming monetary results.

It is also apparent to me that using the Free model to promote a tangible product, such as I did with 7th Son: Descent and Personal Effects: Dark Art, does not deliver sustainable sales results. I have friends — some of whom are my best friends, the most talented people I’ve had the privilege to know and work with – who have absolute faith in this model. I treasure their trailblazing efforts and enthusiasm. My faith, however, has been fundamentally rattled.

Put simply: The new media model viably supports only the most blessed and talented of authors. The time, effort and money I invest in entertaining you for free pulls my attention and talent away from projects that can generate revenue. While podcasting, podcast fiction, and — most importantly — your support and evangelism has positively impacted my life and career in ways I’ll never be able to fully express, I cannot continue to release free audiofiction if I wish to make a living wage with my words.

This is pretty big stuff in the world of podcast fiction. Hutch was one of the pioneers of the form and his getting picked up by St. Martins was considered a watershed and a validation for the medium. So if he can’t make it in this world, what does that say about all the other podcast novelists who are less engaged, have less of a fan base, less sheer horsepower? Does it mean this medium is screwed?

I am positing that Hutch had a terrible misfortune of timing, that he arose as a viable author at exactly the wrong moment in publishing history. As he started down his path it seemed like the end game was to get a book deal with a major publisher. For writers of the last 100 years, this was the reasonable career success path for authors, and practically the only one. In the last few years though a sea change has happened so rapidly and thoroughly to flip that Hutch got his boat capsized in the process and he will be far from the only one. As crazy as it may sound, for a certain kind of author at this point I think a major publishing contract may seem like winning the game but is in fact losing it.

The red flags I got from the JC Hutchins post started here:

Examining the lead up to, and release of, the novel, I cannot see how I could have promoted it any better than I did. I literally went broke promoting this book and Personal Effects: Dark Art (another novel that will not have a sequel; it also underperformed). I conceived numerous brand-new online marketing campaigns that dazzled you and others. I asked you to purchase the novel, and many of you did.

If JC is literally going broke promoting 7th Son and Personal Effects book, I think a reasonable question to ask is “What is St. Martins Press’ role in this?” If JC is willing and able to put so much of his own time and money into the promotion of the books, what value is he getting from the big publisher that is worth giving away 90% of the sale of the book to them? 50 years ago, and 20 years ago and 2 years ago, this made sense. It was pretty much impossible to get a book published and into the hands of the world in any significant way – especially in a way that a writer could make a full-time living – without a major publisher contract, especially one paying advances at a level to be a livable wage. Nowadays, especially due to the markeplace enabled by the Kindle, Nook, Sony Reader et al, that’s a different equation.

Joe Konrath’s post about the money he makes from the Kindle store shows a really clear pattern that he summarizes with:

My five Hyperion ebooks (the sixth one came out in July so no royalties yet) each earn an average of $803 per year on Kindle.

My four self-pubbed Kindle novels each earn an average of $3430 per year.

If I had the rights to all six of my Hyperion books, and sold them on Kindle for $1.99, I’d be making $20,580 per year off of them, total, rather than $4818 a year off of them, total.

So, in other words, because Hyperion has my ebook rights, I’m losing $15,762 per year.

For a writer with an engaged audience, like JA Konrath has and like JC Hutchins has, there may well be more money in their books self-published primarily through the Kindle and other ebook stores. An interesting bit from the Konrath numbers above, that’s from making 35% of the sales price for his direct books. When it changes to 70%, he’ll be making twice as much per book as he posted above for the self-published ones.

Let me say it again: for a writer who is engaged with their audience and reasonably prolific (because you need new books to keep this engine turning), we may be at the turning point where a better living is available through self-publishing than a big New York publisher book deal.

There are certainly authors that this model will not work for. During my preparation for last year’s “Podcasting for Working Writers” panel at Dragon*Con I talked to both James Patrick Kelly and Kelley Eskridge on this topic and they both raised the point that for a number of old school writers, the idea of engaging at the level of podcasting and doing large parts of their own publicity is anathema. A reasonable chunk of authors don’t want to get out in the limelight and picked this career specifically so they don’t have to engage. They write their books, maybe do a few conventions a year, do some bookstore events and that’s it. Back to the keyboard where the serious work happens. That’s fair enough and those writers will always need a publisher to do the parts of this business that would make them unhappy to pursue.

I think of the classic big publisher and big record label model as basically serving the function of the bank or maybe as VC. The manufacturing and distribution of the creative work was too capital intensive for an individual so this company would lend that money to the process, make the books or records show up in the store, do some publicity and keep most of the money. They insulate the creator from the process and from the retailers and fans. What publicity efforts exist, the big media company acts as a semi-permeable membrane to let a little of the public through, but not a lot. Ultimately in this model, the relationship with the fans of the buying public is owned mostly by the retailer and the publisher or label, very little by the writer or musician. For the author that doesn’t want to feed and water that relationship, that’s perfect.

For the other kind of author, a JC Hutchins or Mur Lafferty or Scott Sigler, going with a major publisher outsources to a third party a relationship with their fans that these writers are really really good at maintaining. When Hutch is paying his own money to publicize his books and his his own direct line into his own fanbase, what can the big publishers do for him? They could give him large enough advances to keep his bills paid while future books are written, but obviously they aren’t willing to do that because sales aren’t high enough. JC’s books earn money, but not enough money to keep him in that system. For me, the real question is “Did St. Martins Press do 9 times the work than JC did to get the work promoted?” If not, what did they do to deserve a 90/10 split?

Last November for NaNoWriMo I began a novel that I have literally been thinking about since 1991 when I was 23. While I came nowhere near finishing it that month and am nowhere near finished now, I have a goal to finish this novel in 2010. I’ve already been thinking about what happens when I finish the book. Do I try to find an agent and then try to have them place it with a major publisher? Since I don’t have any plans beyond that one book and thus don’t necessarily have a writing career in mind, how does that affect my decision making? At the moment I’m leaning towards not bothering to place the book with any publisher at all. I’ll pay Nicola and Kelley at Sterling Editing to work with me to get it publishable and hire a book designer and/or artist to hone the final product and then publish it to the Kindle store, Smashwords, the Nook store and whatever else seems reasonable at the time. I’ll probably release it via Podiobooks.com at the the same time, do my publicity via that and the other usual online suspects and let it ride. The key point to me is that the energy I could spend in placing my book at a big publisher could be spent selling the book to readers and I’ll probably make more money that way in the long run. This isn’t the way things worked for the 19th and 20th century and it may not be the way it works in the future, but March 2010 it is the way it looks to me now. The validation of having a “major publisher” decide I’m their sort of writer doesn’t do anything for me. I don’t need the book contract to pay my living, I’d end up doing mostly my own publicity anyway so what the hell does the publisher have to offer me anymore? Rather than have them put out a $15 Kindle book that I see a buck or two from and no one buys with a print version that is on and off the shelves in head-swimming time on a death march to the warehouse remainder store, I’d rather put out a $5.99 ebook version that I see $4 from each one and more people buy. I have a whole rant on how the true function of ebook platforms is to enable impulse buys, but this current post is already too long. That must come later.

When I interviewed Cory Doctorow in 2006, one of the things he said is that the generation coming of age now is the first one to arise “without a stigma attached to self-publication.” Since I’ve been paying attention to the world of science fiction and writers in general, a giant shift has happened. When I joined GEnie in 1992, the notion of self-publishing your work meant that it was unreadable tripe and the very thought of it was risible to any serious author. Nowadays, it might well be the most rational economic choice available. If you aren’t already in the system and earning livable wages from advances on your books, and you are the sort of writer and person with that drive – a JC Hutchins, a Scott Sigler, a Tee Morris, a Mur Lafferty, an Alec Longstreth, someone willing to do more than thrown the manuscript over the wall and wait for finished copies to return – it might be time to take the reins yourself and just do this. The costs are low which means the cost of failing is low. The traditional publishers aren’t paying that much anyway so the opportunity costs are low. Just do it. Lynne Abbey, CJ Cherryh and Jane Fancher did. The writers at Book View Cafe did. I will. Don’t pin your hopes on a big publisher with economic drivers that are different than yours. Just do it yourself, work the people yourself and keep as much of the money as you can.

Tags: akismet, amazon, ebooks, jakonrath, jchutchins, kindle, macmillan, publishing, sterlingediting, stmartinspress

Today is the day for the Boom Effect auction. Earlier this year, my friend Tee Morris lost his wife Natalie suddenly. The Boom Effect is a fundraiser to help with the future of his five year old daughter (known by the internet psuedonym of ‘Sonic Boom’). You can still make an outright donation to the fund via Chipin or you can bid on the various stuff in the auction. There will be a telethon style live telecast to go along with the auction and I’m embedding all this stuff into the post.

Tee has been a great friend to me, to CREATE South, to the podcasting world at large. Please do what you can to help him and his daughter in a very difficult time.

Tags: boomeffect, podcasting, sonicboom, teemorris

Bungie. I tried. I really really tried. Your blog is full of interesting information. But for pitys sake, please, can you PLEASE STOP TALKING OVER THE TOP OF EACH OTHER. After 20 mins I just gave up because a) everyone constantly talked over each other (note, a pod cast is NOT a casual conversation, and even if it was, most of what people feel the need to share IMMEDIATELY is just Not That Interesting, certainly not worth destroying someone elses train of thought) and b) no one was ever explained who they are. Who is Joe whatever his name is? What does he do? Why is he being interviewed?

I’m with you, Jake. That’s why I tend to not listen to panel-type podcasts. The worst are the ones where all the people are friends and make nonstop in-jokes. If you are going to do a roundtable show, for god’s sake don’t constantly keep making inane jokes that interrupt the flow.

Tags: podcasting

1. James McQuivey’s analysis of the Amazon/Macmillan dispute
2. Len gave tips about using the great Instapaper service with one’s Kindle and
3. Len mentioned me by name to reference this post on my thought experiment.

In the show, Len discussed the options in Instapaper to email documents to a Kindle but there is another way I’ll discuss shortly.

To back up, Instapaper is a great service that lets you mark long form articles to be read later. I have a bookmarklet in all my browsers that with a single click and mark any page as such. The service is good and seems to handle multipage articles pretty well.

If you are already a user of Calibre (and I suggest everyone serious about using e-reader devices should be), there is another option. Calibre already has functionality under the “Fetch News” option to pull down and create documents with a simple scripting language. There are a few hundred built in sources and the ability for you to create our own pretty simply, and then a scheduler to set up how often this news source is fetched.

Click the “Fetch News” button in the toolbar of Calibre. You can either type “Instapaper” in the search box, or navigate to the “Unknown” category at the bottom of the list and select “Instapaper.com”. Click the “Scheduled for Downloads” checkbox, select the frequency or schedule that you want to have it fetched. Below, enter your username (email address) and your password on the service. It’s that simple. Now, when Calibre fetches the news from Instapaper, it will assemble all of your “Unread” items into a document and also tell Instapaper to move those articles into the “Read” category so you don’t repeatedly fetch them.

I’ve had it set up this way for a few months now and really like it. If I see a blog post or link to an article that I’d like to read but is longer than I have time for currently, I hit the Instapaper “Read Later” bookmarklet and forget about it. At a future time, Calibre will fetch it and then it will automatically get moved to my Kindle and I’ll have it there to read – typically on the orbital trainer at the gym. It’s a nice, seamless way to keep from letting these longer articles drop through the cracks.

Update: I can see Len Edgerly has kindly linked to this blog post from the most recent Kindle Chronicles and will use this tip on a future show. Via email, he asked me a few days ago what the advantage is to this over having Instapaper just email it directly to you Kindle. My response in part was that I’m not sure I’d consider it an advantage per se. It’s just a different mode of interaction. I almost never email anything to my Kindle, and I do use Calibre as the central point in my book management, equivalently how you might use iTunes with music. All books from here on go into Calibre first for me, and from there to my Kindle or whatever future device I might have. Whether Gutenberg or any other DRM free source, I tend to get ePub and convert from there.

After I emailed Len I did think of some more explicit advantages. If one has a few different devices (like Len does) that you use interchangeably, whichever device you connect will automatically get the newest news content transferred to it. This means that you could hook your Kindle, Nook, Sony Reader et al to it shortly before you walk out the door and you’ll get the Instapaper document. It removes the Kindle specificity and makes it more of a total ecosystem tool.

In my case, I’m such a cheapskate that I’m not going to pay $0.15 per Instapaper push. I have to plug the Kindle up to charge it, so I just get the news when that happens. Different strokes for different folks.

Tags: calibre, instapaper, kindle, kindlechronicles, lenedgerly

The Grand Strand Tech Expo is the kind of thing I like to support. At its heart, it has the same motivation as all of these various projects that I’ve been involved with. CREATE South, #MBGeekOut, the Grand Strand Bloggers et al are all driven by the desire to raise the profile of the Myrtle Beach area in the tech and social media world. The big benefit of these events is giving all of us a venue to realize that we’re all out here and none of us are alone. Rock on.

Tags: createsouth, grandstrandbloggers, grandstrandtechexpo, mbgeekout

Within the last month I’ve recently started listening to The Kindle Chronicles podcast. Those podcasters who worry about soundproofing their rooms, try listening to Len Edgerly when his big ass grandfather clock starts chiming midnight. You might not need it as much as you think! Episode #79 featured a particularly good interview with Seth Harwood. I am one of the people who picked up his book A Long Way from Disney last December when he had his post-Xmas special. I liked this interview and think that Seth is a good example of a hybrid new-school/old-school writer. I recommend this series and this episode.

I’ve listened to every episode of the SModcast from the beginning (with the exception of the live show episodes that I had to skip.) My single favorite one ever is episode #103 with his mother Grace, where they get stoned together and tell tales of New Jersey. There’s a point towards the end where Kevin starts cracking his mother up until she gets hysterical. It’s very funny and also kind of sweet. It just made me a little happier to listen to it. Also, I agree with his commentor that says that his mom and Walt Flanagan sound the same. I thought exactly the same thing.

I’ve also listened to every single episode of the Rock and Roll Geek Show. I’m a lifer on that one with my buddy Michael Butler. In episode #387 he has an interview with Tappy Wright, who was the road manager for The Animals, Jimi Hendix and many more that he writes about in Rock Roadie. It’s a fascinating interview and includes Wright’s claim about how Hendrix was murdered. I recommend this for a listen along with every other of the nearly 400 shows.

For five years, I’ve been claiming one of the best upsides of podcasting is the feasibility of doing a show for a niche audience. One example of that in my subscription list is the Flash-back podcast. The episode I listened to today covers Blackest Night: Flash #2. This program covers the various Flash related comic books in excruciating detail. I’m talking panel by panel, friends. Every show is like a master’s thesis in the Flash family. This is not the sort of thing that is for everybody, but for certain obsessed fans of this character (such as myself) it is really and truly awesome.

Tags: flashbackpodcast, kevinsmith, kindlechronicles, podcasting, rockandrollgeek, sethharwood, smodcast, tappywright

I wrote her an email on Thursday expressing my sympathies and gratitude that I ever got to meet her. I don’t know if it was too late or not to get read to her, and it doesn’t really matter that much. This sucks that she had to die so young but she did have loved ones around her and many that love her in this life. What more is there to ask for?

You could do a lot worse than to go read some of her work. I’m a particular fan of The Company stories that were the majority of her output, but everything is great. Goodbye, Ms. Baker. You will be missed.

Tags: kagebaker

Allow me to lay out a thought experiment I’ve seen nowhere else:

Imagine I am the executive of a large publishing concern. Some proportion of my company’s income flows through ebooks and the majority of that is through the Kindle at the moment. However, I as an executive in my heart of hearts don’t like ebooks. It’s not why I got into publishing, it’s weird and has different market dynamics from what I am used to. Even though I am making some money and the amount is growing, I fear that this is eroding and canibalizing the print sales I consider my real business. What I really wish is that ebooks would go away, but I can’t just pull them from retailers or explicitly state that.

Instead, what I want to do is to find a defensible price to raise end consumer prices that will effectively mean that no one much will buy it. Some hardcore fans will, but the fears about cannibalization will go away because the prices are so close to parity with paper that no one wants the ebook version anymore.

Now, imagine that the retailer won’t play ball with that. They are already willing to eat a loss per unit on sales, and even if I were to raise the wholesale price to them they’d be willing to eat that larger unit loss. What I really want is to change the basis of our business relationship that prevents them from setting the customer’s final price The retailer opposes this, even though this means that instead of taking a small loss they are going to make a $4.50 profit on each of the higher priced ebooks. They know that there will be a customer revolt and the backlash will take a market they’ve spent years nurturing and put a big hurt on it.

Now, suppose after negotiations reach an impasse, the retailer wants to signal seriousness to me, the publishing executing. They could choose to delist my firm’s ebooks as retaliation except that would give me exactly what I want. In this particular thought experiment, if the retailer were to try to apply coercive leverage to me, it would require them to also delist electronic and paper copies of books to have any effect on me, because my real end goal is to get ebooks delisted while keeping my hands completely clean.

::End though experiment::

Most of the commentary of my tribe seems to focus on how uncalled for the delisting of print books was. What I’m trying to present – without any knowledge of motivations of any players involved – a scenario in which Amazon could consider themselves justified in delisting the print books. I don’t want to alienate my friends, but they seem to all see Macmillan as the undisputed good guy and Amazon as the obvious bad guy here and I’m not sure I buy that. Between the two, the company looking out for my particular interests as a customer is Amazon. As RichSPK tweeted earlier today “How does increased competition (Apple’s iBooks to Amazon) result in higher prices to consumers?” That, sir, is an excellent question and one worth thinking about.

Tags: amazon, kindle, macmillan, thiswillendintears

I got some nice traction on my Spanish to English dictionary, getting links from Teleread, Kindle World as well as assorted fora and other places.There appears to have been a few people with technical glitches but that were able to get them sorted out. I assumed correctly that a reasonable chunk of the feedback would be “Can you do another version for Language X to Language Y”. The answer there is “No”, as the only other language I care about at this moment is Spanish. What I did was not rocket science and anyone with minimal scripting and Google skills could easily duplicate the efforts in other languages if they desired.

I also got some traction in my head to head comparison between the Kindle and the Nook. I still am wiling to love future versions of the Nook, particularly the screen contrast. The hardware is quite nice and if they ever fix the lagginess of the UI and the weird counterintuitive menuing system, it has a whole lot of potential.

I personally am excited about the upcoming release of a Kindle Development Kit that allows for putting apps on there. I and a lot of my kindred spirits had two immediate thoughts on hearing this news: 1) I’m not sure this is a good idea because the strength of the Kindle is that you don’t have much going on but reading books and 2) I’m signing up to join the developer program anyway. I’ve been wracking my brain to think of ideas that would use little or no bandwidth and would also play into the strengths of the Kindle. These fall into two classes: apps that one might want to spend a lot of time immersed with that don’t require huge amounts of screen refreshing and plugins that extend the existing functionality of the device. If one is allowed to do things like add extra menu options such that you can leave a GoodReads or LibraryThing review from inside a book, for example, that could be a hot bit of functionality to extend the device. I’m looking forward to seeing the KDK once it is available.

I’m an AAPL shareholder who has done awfully well with my stock, and as such I love whenever people get excited about mythical upcoming products. However, I’m completely sick of iTablet speculation and will consider it a sweet relief tomorrow when whatever announcement is finally made. I think most of the “Kindle killer” talk is by gadget headed techno-insiders who consistently fail to understand how ordinary consumers actually use devices. Like I said above, I think the affordance of the Kindle actually make it better for reading than an iTablet will be. When I sit down on the couch with the Kindle, books are not competing with videos, email, Skype or the panoply of distractions offered by your average online laptop. I’m looking for less distraction in my life and more time with words, and I think that key bit is beneath the notice of tech pundits who evaluate from every angle except for how a non-early adopter might actually incorporate this stuff in their lives.

This is a random half-baked thought that I’ve been wanting to blog about but am still ruminating over, so I’ll stick it on the bottom of this post like a tail that isn’t quite pinned on the donkey. With the coming of Kindle apps, the possibility of Nook apps, and the very real present of much money moving through the iTunes App store it occurs to me that in a large part these devices – an object with an account/open wallet attached to them – is a working manifestation of the dream of micropayments. Even though BitPass and other parts of the Scott McCloud-ian vision never worked or came to fruition, in their own way these apps represent a way micropayments can actually work. As I think about what things I could develop for Kindle apps, it’s never far out of my head how to tap into that. Assuming developers are given a way to invoke additional purchases from in app it could be very direct, but even having an app on a subscription is still a form of that. I have no walloping insight on this, but I’ve been thinking about it a lot.

Tags: apple, kindle, kindleworld, nook, teleread

I am blogging this from a Barnes and Noble cafe (specifically, the one at Market Commons in Myrtle Beach.) I meant to come in and do a final head to head comparison between my Kindle 2 and the new B&N Nook. I have previously done tests where I set the two of them side by side and done the same operations to get as close to a controlled test as possible. I can’t do that today because at the customer service desk where the Nook has been, there is now an empty anti-theft cable dangling. I’ll do what I can without the refresher. (Update: They put it back, and I did do another few minutes of fiddling and took this photo with my camera phone. Unfortunately, the photo doesn’t show the screen differences well.)

As ground rules, because this kind of post is always a lightning rod for haters: I took the time to gather data and am posting dispassionately my first-hand experiences with both devices. Any comments of the form of “Device X sucks, you are stupid” will be summarily deleted. I brought data and science to the table, knee-jerk comments without them are valueless. I am very far from an Kindle fanboy and advocate. I did this comparison because one day my Kindle will die and if the Nook impresses me it could well be the next device. I did not approach this with a foregone conclusion and then gathered data to support my prejudice. My experience thus far is that talking to the very few Nook fans is a lot like arguing theology with a Branch Davidian. It doesn’t matter how much sense you make, the conversation is going the same way every time. Nook fans, rise up and be reasonable please. You have a stereotype to overcome, with me at least.

Now the results: When I first did this a week ago, every single operation on the Nook was slower. The opening of a book was very slow on the Nook (15-30 seconds), compared to less than a second on the Kindle. Turning pages in an already open book was slower on the Nook. I’d hit the button on both simultaneously, and the Kindle page would have been finished refreshing before the Nook started. Interestingly on the Nook, paging backwards was faster than paging forward. Both operations were slower than on the Kindle, but compared to itself, the Nook can page backwards more quickly.

Changing fonts between the two is radically different. In the Nook’s favor, it allows the choice of different fonts where on the Kindle there is no choice. In the downside, because of the increased complexity of the menuing and the very long refresh time of the book itself when you do change fonts, it is between 20 and 40 seconds between deciding to change fonts on the Nook and looking at the changed fonts. This is the same whether changing the font itself or just the size. On the Kindle 2, there is a dedicated button for the font menu. One can hit the button, use the 5-way controller to select a new font size, select it and looked at the refreshed page in about a second, two if slow. With the 2.3 software update, you can do the same for changing between portrait and landscape modes. I just timed myself and that was about 3 seconds total, which includes having to navigate a few rows down on the menu.

I’ll have to say that I find the menuing and the controls on the Nook pretty unsatisfying and significantly harder to use. The Nook is trying for a dive with a higher degree of difficulty here, it is true. However they aren’t executing on it. I found the touch screen very difficult to select the correct thing consistently, the swiping of the book covers to not work very well, and the menu structure organization to be convoluted. In March 2009 when I took my Kindle out of the box, it took maybe a minute to figure out every common operation and bit of navigation. I’ve spent half an hour over several trips fiddling with the Nook and still am not always certain where I should be navigating to. It completely perplexes me when at any list screen, such as the library management page (equivalent to the Kindle’s “Home” screen”) that one can only move up and down the list from the touch screen. The page up and down controls do nothing in that case. You are looking in one spot but the controls require you to manipulate from a different spot, one on a touch screen with a target narrow enough that me with my fat fingers must pay attention to exactly where I’m trying to click. It is not a good experience.

It felt this way from isolated tests, but setting the two devices makes it clear that the Nook has better contrast on the screen. The “print” is darker and the background is lighter. That is the one aspect that I think is clearly in its favor. The devices are of very similar weight and dimensions. The Nook is slightly shorter, and barely thicker. I think for most real users, you wouldn’t notice any difference in size or heft. For myself who occasionally likes to Tweet from the device (having no iPhone and using my Kindle as my own ubiquitous connection) the keyboard is awesome and even if the Nook adds a web browser then it will be a soft keyboard at best to type in URLs, which seems like it would be a drag.

In the final analysis, I’d recommend against buying the Nook 1.0. This is not a final, durable recommendation. I didn’t buy a Kindle 1.0 or any other Gadget 1.0 either. I find it best to let other people break in the worst problems and I’ll swoop in later when those are fixed. For the identical money and with the differences in usability, I don’t think $259 today is a good investment for a Nook 1.0. The good thing for Nook users is that most of my problems with the device are potentially fixable in software (B&N demo I used had 1.1.0 version on it.) Just like the Kindle’s 2.3.0 update made the device significantly better, a future software update could make the Nook much better. If I were an undecided consumer, I’d make B&N fix it before I gave them my money.

Let me finish with one point beyond the head to head comparison. A lot of talk is floating around with the possibility of an Apple iTable or future apps going on the Nook because of the Android operating system. One thing that gets lost in all this talk is that I consider it a strength not a failing of the Kindle and Sony Reader and Nook that they are not general purpose devices. Even with the web browser on the Kindle, this whole thing only really does one thing well, and that’s display text for you to read. It’s about sitting down and reading. You can tweet or check email in a pinch, but it will never be your first choice to do it on the Kindle the way you would on a laptop or iPhone/Blackberry. It’s possible but not fun. What it is best at is being a device you can sit down with on a couch or a beach or the middle seat of an airplane and read. And read and read. I have enough reading material on mine today that I could read for 2 solid months before I exhausted it, and there is still 1.1 Gigabyte free. A tablet, or adding more apps on these devices is the wrong direction in my life. I say I’m a reader and that I enjoy reading, but if you look at my actions the last 10 years I don’t actually read for pleasure that much anymore. Haivng a device that enables reading but doesn’t enable much else is a plus for me, and being an e-ink version of a laptop or an iPhone isn’t good for my particular needs. Milage varies, but for what is important to me today, that’s it.

Final score: I prefer the Kindle 2, but I’d love it to have the better contrast of the Nook. The Nook has a lot of potential but I’d seriously recommend that at the very least, you make the software get better before you give B&N $259 of your dollars.

Tags: amazon, barnesandnoble, kindle, nook

You can subscribe to this podcast feed via RSS. To sponsor the show, contact BackBeat Media. Don’t forget, you can fly your EGC flag by buying the stuff package. This show as a whole is Creative Commons licensed Attribution-NonCommercial 2.5. Bandwidth for this episode is provided by Cachefly.

Links mentioned in this episode:

• R.I.P, Natalie Morris
• James Randi Educational Foundation
• Retribution Gospel Choir
• Buy the album 2 from Retribution Gospel Choir from Subpop or Amazon!
• AmigoFish podcast recommendation engine
• The Peakecast
• Fleet Foxes on Myspace
• Buy the EP Sun Giant from Fleet Foxes from Subpop or Amazon!
• Calibre, an ebook management tool for many devices
• AFCGT on Myspace
• Buy the self-titled album from AFCGT from Subpop or Amazon!
• Gentle Readers
• My FriendFeed
• Sign my Frappr Map!

Tags: afcgt, amigofish, fleetfoxes, jref, nataliemorris, peakecast, retributiongospelchoir, teemorris

This seemed straightforward enough, so I did a little Ruby scripting (getting a crash course in Unicode characters in the process). I found these lists of Spanish word frequencies and wrote a script to parse them into one word per line. I then wrote a script to take lists of words from STDIN, check to see if they existed in the map and if not look them up from various online sources and add it, and then save it as a YAML file. It was most of a week including false starts and do-overs to finally run the whole list against online translating tools. From there, I created another script to take the YAML file and rewrite it as a (roughly) alphabetically sorted and tab delimited text file. With that done, I used these already available tools to take that file and create files suitable for Mobipocket Creator.

The upshot is that this Kindle formatted Spanish to English translation dictionary is available now to download, for free. In order to use it, place it on your Kindle via USB or emailling it to your device. Go to “Home->Menu->Settings”, then “Menu->Change Primary Dictionary.” From that point, moving the cursor over a word will work like the dictionary used to with definitions, but with English translations of Spanish words.

I offer this to the world, for free, no strings attached. In fact, because of the Creative Commons license on it (described below) you are free to take the files and do whatever you want with them as long as you comply. Be aware of the following caveats with this dictionary:

1: This is a machine generated translation from various online sources. There is no guarantee of correctness for any given term. I did find and scrub some bogus racist translations that have been put into some online repositories, and their may be other erroneous or malicious terms submitted that have ended up in this dictionary. I warrantee nothing and can pretty much say there are some translations or source words that can offend delicate sensibilities. Over time I might try to find ways to improve this file, continue to fill out the dictionary word list and maybe even improve the translations that are already there. Keep watching this blog for future revisions.

2: There are still formatting issues for the dictionary popup lookup. While you will see your term first in the list, it will not stop at the following term. Any feedback on how to engineer the source files to make this work correctly can be sent to dave@evilgeniuschronicles.org or left as a comment on this post.

3: This book is offered with a Creative Commons license: BY-NC-SA For the required attribution, please provide a link to http://www.evilgeniuschronicles.org

I’m glad to get any feedback on this dictionary, particularly on point #2. If anyone can describe how to reformat the HTML input files to make the dictionary popups not run together, I’d be highly appreciative. Beyond that, roll and have fun with it and let me know how it works for you. If someone can point me to directions on how to turn these source files into the equivalent version for the Nook, I’d be happy to publish that as well, although I’ll need volunteers to help me test it.

For me, I’m off to take another crack at Don Quixote.

Tags: kindle, mobipocketcreator, spanish

A really cool bit of functionality is the news fetching and conversion functionality. I had experimented with subscribing to some of the Kindle blogs via Amazon but to be honest, none of them excited me enough to pay $1/month for them. The news fetching is cool and Calibre converts to very readable books. You have the option to configure the program to email the converted books to your Kindle but that’s really not necessary. I have it configured to automatically move the news books to my device and then delete them from the library on the laptop. It works really well, and then when I read them on the Kindle I just delete them.

Because the conversion is so good, I changed my strategy in how I deal with Project Gutenberg books. I used to download those books in MOBI format but I’ve started defaulting to getting them in EPUB. SInce EPUB is an open format with rich metadata it converts well so I’m treating it as my “lingua franca” format. Should I ever end up with a Nook (unlikely as that seems today), it’s a matter of one sync and I’ve got the same library of books on the new device.

Calibre is now the center of my Kindle experience. I don’t move documents to the device via file copy anymore. I add them to Calibre and let it be the transport mechanism, the catalog and format manager, and in the case of the news the RSS fetcher. It truly rocks and I’m very happy with it.

Another tool I found (via Teleread) is Neotake, an ebook search engine. I followed the link from my Teleread news ebook (as per above), and it took me to the mobile version of Neotake in the Kindle’s web browser. I searched for “George Eliot”, which gave me a very easily readable list of results. I followed the link to The Mill on the Floss and downloaded the MOBI version from the browser. In a few seconds the book showed up in my list in the home screen. It was basically about as easy to use as the Amazon store. I made sure to add Neotake to my bookmark list. It looks to be a valuable tool in the Kindle and other e-reader toolkit.

Tags: calibre, kindle, neotake, projectgutenberg, teleread

While I’ve been on vacation, I’ve also kind of been on vacation from the computer somewhat. There were multiple days in that stretch where I didn’t touch a computer, and I’ve been mostly off of Twitter, Facebook, et al. I did read a lot of comic books, do a good bit of reading on my Kindle and we’ve been working our way through The Wire: The Complete Series, which we’ve been loving. We watched movies, leaning towards the stupid comedies but also including Slumdog Millionaire. I’ll be contrarian and say that while Slumdog isn’t a bad movie, it was completely nothing special to me. I’m not sure why it got the hype and buzz that it did. It was competent enough but I didn’t find it anything more than an average quality diversion of a film. I was much more enthused about The Hangover, which was like Memento with a raunchy sense of humor. After I watched it, I realized that it has basically the same plot as Dude, Where’s My Car? and that’s OK.

During the vacation I had vague plans of productivity in new media that never happened. In retrospect, that is probably for the best. I don’t feel bad about not blogging or podcasting and I only wish I had made that as a deliberate choice up front so I didn’t have free-floating guilt about my lack of productivity. I feel recharged and happy and ready to prosecute 2010 to my fullest. I’ve already recorded a podcast this morning, have another blog post lined up behind this one.

Hello new year, let’s light this candle.

PS – It’s working. When I bought it, the book was #642 overall in the Kindle store and now it is #403. Rocket to the top, my friend.

Tags: alongwayfromdisney, kindle, sethharwood

Tomorrow Sunday December 20th 2009 will be the “Thomas Peake Farewell Celebratory Concert” at the Eyedrum – 290 MLK Jr Drive SE in Atlanta. Doors open at 3 pm, music starts at 4 PM and will go until the wee hours. A variety of bands will perform, from ones that Thomas helped in their careers, was friends with the members, and even a band that is debuting as a live act at the event. It will be a great time for lovers of music and lovers of Thomas alike. A salient point of the whole deal is that all the money raised by the concert will be given to the East Atlanta Kids Club, a charity that Thomas was intimately involved with in his life.

I wish I could be there to hear the music, help send off a friend, and spend a little more time with all our mutual friends. At the memorial in September I saw many people that I hadn’t seen in 20 years. If there is one thing I need in this life, it is more ways to get these groups of people together that don’t require someone dying first.

We’ve had a self-imposed deadline of getting the next episode of the Peakecast out before this show and I made it today by about 22 hours. Peakecast Episode Three is out in the world now and captures Thomas and Arthur Davis spinning tunes as guest hosts of Personality Crisis. Their set list is unique and weird and not at all like anything Jon Kincaid would have played, or anyone else for that matter. Check it out. This is just the beginning of what there is to be published. That is literally the first tape out of a big box, and we’ve been informed by Dena Peake that there are more boxes where this came from. It’s not as good as having the big man around to spin us some tunes but we’re now taking what we can on that front. If you care, tune in, subscribe, listen, comment and share your memories. Every memory gets more precious every day.

Tags: eastatlantakidsclub, eyedrum, peakecast, thomaspeake

Here in the Myrtle Beach area (aka the Grand Strand), we’ve been trying to crystallize a geek community for years. This started with the Grand Strand bloggers get-togethers. The first one had four attendees – myself, Andre Pope, Chris Yale and Roger Yale. We had several more meetings like that over the next year past that time. Some of this was taken online with the group blog at the Grand Strand Blogroll, and a lot of the same community helped put together the CREATE South conference.

There’s a new iteration of this energy, and that’s the MB Geek Out. As evidence of how much farther this iteration has gone than the earlier similar passes, just look at how this came together. Paul Reynolds mentioned having some kind of a nerd gathering on his Twitter account. Someone else (Jerry Harrison) coined the term and a third person (Nicholas Mercer) registered the domain and set up the rocking MBGeekout.com website. As Paul told me at the meetup last week, “It wasn’t even that we have other people to delegate to: I didn’t have to delegate!”

I love this area and I’m glad to see us getting together and forming this community. Myrtle Beach is not known as a technological hot bed, so each of us tended to feel as if we were the only ones doing technical work, software development, etc in the area. The best part of community formation is letting each of us know we aren’t alone, which I consider a very fine reason to continue. Watch the MBgeekout.com site and/or follow @mbgeekout on Twitter for more information about when the next one is. Let the good times roll!

Tags: mbgeekout, myrtlebeach